Rating:
(48 reviews)
Author: Christopher James
ISBN : 1418073725
New from $86.22
Format: PDF
Download file now Free Download The Book of Alternative Photographic Processes [Paperback] from mediafire, rapishare, and mirror link
Photographic artists and students of alternative process photography will welcome this new edition of Christopher James' The Book of Alternative Photographic Processes. This significantly expanded edition is a full-color, lavishly illustrated, comprehensive resource that explores every aspect of alternative process image making. With his highly conversational writing style, James explores the techniques, processes, idiosyncrasies, history, and cultural connections that are such a significant part of the genre. Best of all, James makes it extremely accessible, providing clear instructions and practical workflow advice. The book delves into a vast menu of alternative and traditional options, among them: calotype, salted paper, cyanotype, argyrotype, chrysotype, POP, kallitype, ambrotype/wet collodion, Van Dyke, platinum/palladium, Ziatype, gelatin dry plate emulsions, carbon, gum bichromate, albumen, hand-applied emulsions, paper, alternative imaging systems, and digital negative production for alternative process image making. This book has become the unanimous standard reference text for alternative process photography, one that students love to read and work from. Not only does this definitive work make the most complex ideas easy to understand, it is conversational, comfortable, inspirational, and fun to read- a tremendous resource and a treasure trove of alternative process images. "The first edition was a stunning achievement, and one I felt that was not likely to be superceded. Five short years later Christopher James has created a very new work and a new standard. The Book of Alternative Photographic Processes: 2nd Edition is, by far, the best alternative photographic process book ever!" - Richard Sullivan, Founder and Co-Owner, Bostick & Sullivan "If I could only have one photography book this would be it." -Timothy Whelan, Photographic Books
Direct download links available for Free Download The Book of Alternative Photographic Processes [Paperback]
- Paperback: 660 pages
- Publisher: Cengage Learning; 2 edition (February 12, 2008)
- Language: English
- ISBN-10: 1418073725
- ISBN-13: 978-1418073725
- Product Dimensions: 1.1 x 8.4 x 10.7 inches
- Shipping Weight: 3.9 pounds (View shipping rates and policies)
Free Download The Book of Alternative Photographic Processes
This is a great glossy overview of processes if you're curious about which to pursue, but not so much use as for practical instruction. James has an approach and writing style in which contradiction and lack of coherent detail(and perhaps even proofing errors) play no small role. Eccentric and charming at first (in a self-edited sort of way) it can be quite maddening if you make purchases or try out processes based on his recommendations and instructions. I'd seriously recommend double checking with other sources once you decide on a process to try out. Of course that's good advice for any source of info, but here it's critical. It's maddening that he'll list creme brulee recipes while be curiously tightlipped about crucial process details. I'm an experienced and largely self-taught printer- carbon transfer, albumen, tri-color gum and kallitype, so I'm not a novice that needs a lot of hand-holding.
A notable irritation is the gum chapter. A typical recipe- 'An 1 1/4 inchworm of watercolor per 12 full eyedroppers of gum and 12 full eyedroppers of dichromate'..? I wouldn't recommend measuring pigment unless you measure in all dimensions -aka volume- not just length. Much more accurate to weigh. And what size eyedroppers? When he does use traditional weights and measures they are inconsistent: he mentions Stephen Livick using 12g of pigment for every 12ml of dichromate when using Sennelier paints, double the concentration of other brands. In a separate section he then says Livick uses 2.5-4g g of Lindel paint in 12ml of dichromate. Forgetting for an instant that 12g of watercolor is an absolutely fantastic quantity of paint (I pigment 4 36x50cm 2mm thick carbon tissues with less- and that's 2 liters worth of solution) I still wouldn't call 12 the double of 2.5 or even 4.
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