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Author: Christopher Grey
ISBN : B003XVYFLI
New from $11.49
Format: PDF
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Taking the guesswork out of lighting, this invaluable examination provides tools and techniques from an accomplished expert. The most essential principles for photo shoots are presented through lengthy image sequences, considering different finishes for reflective surfaces, types of light sources, light modifiers, and even light placements. From creating fundamental looks to the effect of fine-tuning placement and setting, this detailed guidebook enables photographers to maximize productivity on any shoot. Concluding with the most effective solutions for solving lighting problems, this study is an excellent resource for both active professionals as well as intermediate to advanced students of photography.
Direct download links available for Free Download Christopher Grey's Studio Lighting Techniques for Photography: Tricks of the Trade for Professional Digital Photographers [Kindle Edition]
- File Size: 3630 KB
- Print Length: 129 pages
- Page Numbers Source ISBN: 1584282711
- Publisher: Amherst Media, Inc. (October 1, 2009)
- Sold by: Amazon Digital Services, Inc.
- Language: English
- ASIN: B003XVYFLI
- Text-to-Speech: Enabled
X-Ray:
- Lending: Enabled
- Amazon Best Sellers Rank: #326,393 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
- #59
in Kindle Store > Kindle eBooks > Arts & Photography > Photography > Lighting
- #59
in Kindle Store > Kindle eBooks > Arts & Photography > Photography > Lighting
Free Download Christopher Grey's Studio Lighting Techniques for Photography: Tricks of the Trade for Professional Digital Photographers
NOTE: I wrote this review from the perspective of someone who read the first book and then bought this book to learn new things. If you have never read the first book you might find this book more useful than I did. Depending on your level of expertise, however, you might want to buy the first book over this one. Complete beginners will find the first book easier to follow. That being said I find the quality of content and presentation in this book to exceed the first. Therefore, if you are more comfortable with lighting and or would like to take a deep plunge into lighting go with this one. Now for the review
This book is much better than the first book by the same author titled Master Lighting Guide. It offers a more in depth higher quality presentation of studio lighting. Hence, the author attempts to provide the reader with a solid understanding of studio lighting principles. The first section focuses on explaining, with plenty of pictures, the relationship between light physical size and relative size, distance, spread depth, and feathering.
The second section consists of 20 topics or so that put the principles stated above into practice. Some are very unique and new like the inverse relation between specularity and size of softbox or the nature of umbrellas and how they differ from softboxes. That last topic is a full departure from the previous book in which the author leaves the impression that both modifiers -softboxes and umbrellas- are very similar when in reality they are not. Another great topic is about how to position a light meter for proper reading. That topic can eliminate much frustration with aiming light meters.
Here's an excellent book aimed at a very narrow segment of the photography market. It should be of interest primarily to studio portrait photographers who use strobes, although there may be other applications for which it might be useful.
Grey covers a number of lighting techniques that are beyond the basics, like shaping the background light, or using an incident light meter, or feathering a light, or using a beam splitter. These techniques will be of interest to people already comfortable with photographing with studio lights, but will be of little help to novices. Each chapter is almost like a tip in a tip book, except that rather then tell you what to do without providing understanding, the author explores each subject in great detail. For example, in discussing the use of a hair light he presents several different sources, like large and small softboxes and strip softboxes, illustrates the application and effect of each, and even shows the difference in effect with slight changes in the direction in which the model faces. There are plenty of subtly varying images and every technique is supported by lighting diagrams.
Because this is such a fine-tuned book, I feel compelled to tell you the things it does not cover. There is no explanation of the basic lighting set-up of main, fill, hair and background light (in fact Grey doesn't even use traditional fill lights); no discussion of equipment, either cameras or lights, other than some light modifiers which the author has constructed; and no discussion of exposure, except to the extent that modifying exposures when using some of his techniques will change the effect. The lighting is limited to strobes, so if you use speedlights or hot lights, you will have to convert the author's advice.