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Author: George DeWolfe
ISBN : B000MAHCJ0
New from $25.29
Format: PDF, EPUB
Download books file now Free Download George DeWolfe's Digital Photography Fine Print Workshop [Kindle Edition] for everyone book mediafire, rapishare, and mirror link
Learn the secrets of fine art digital photography
Produce captivating and high-quality photographs easily and consistently with help from this invaluable guide, based on renowned photographer George DeWolfe's most popular workshop. Inside, you will learn his "16-bit workflow" technique for mastering the craft of printing fine art photographs. You will also discover how to set up a successful "closed loop" environment - one in which you handle the entire photographic process yourself, sending nothing out for processing, manipulating, or development. Learning the qualities and techniques essential to creating a digital fine print with light, substance, and presence requires skill, experience, time, and vision. George DeWolfe's Digital Photography Fine Print Workshop puts all of this expertise at your fingertips.
Books with free ebook downloads available Free Download George DeWolfe's Digital Photography Fine Print Workshop
- File Size: 13908 KB
- Print Length: 272 pages
- Page Numbers Source ISBN: 0072260874
- Simultaneous Device Usage: Up to 4 simultaneous devices, per publisher limits
- Publisher: McGraw-Hill; 1 edition (April 25, 2006)
- Sold by: Amazon Digital Services, Inc.
- Language: English
- ASIN: B000MAHCJ0
- Text-to-Speech: Enabled
X-Ray:
- Lending: Not Enabled
- Amazon Best Sellers Rank: #789,663 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
- #39
in Books > Computers & Technology > Digital Media Management > Digital Printing
- #39
in Books > Computers & Technology > Digital Media Management > Digital Printing
Free Download George DeWolfe's Digital Photography Fine Print Workshop
My grandmother was a great baker. But everything she did in creating a pie or cake came from memory or intuition. When my mother tried to create written recipes of my grandmother's procedures, she was frustrated by quantities like a handful of something or enough of something. My mother really lost it when my grandmother told her to roll out some dough until it looked right. If you can't deal with this kind of instruction, George DeWolfe may not be for you.
The book covers De Wolfe's recommendations for making a great digital print. I'd be overstating things if I said he never gives firm instructions but de Wolfe is more concerned with the feeling of a print than with specific rules. He says that there are six elements to control in making a print: cropping, contrast, brightness, color, defects and sharpness. He then proceeds to explain his workflow to deal with each of these issues, both globally and at a detail level.
This book is aimed at advanced users of Photoshop. Quite often the instructions that he gives to create a desired effect contain only the most significant steps in the process, leaving it for the reader to fill in the gaps. Occasionally he says that he is telling you all you need to know to use a particular Photoshop tool. For example he says that all you need to know to use the curves tool is that moving the curve upwards increases brightness and moving it downwards decreases brightness. That's hyperbole because there are other important functions of the curve tool that make it easier or more effective to apply.
DeWolfe sometimes favors some rather idiosyncratic tools to process images. Photoshop usually offers several approaches to accomplishing a task, but DeWolfe often selects the more unusual.
George DeWolfe is an internationally recognized photographer. He is well known for his workshop on the master print, and I believe this book is based in part on this course. (I have not taken the course.)
It's important to realize that this book was written by a photographer with decades of experience in darkroom work. Thus visual evaluation of prints is paramount to obtaining his desired result. So DeWolfe recommends leaving auto settings off, and your eyes and brain to 'see' the print. The workflow he presents uses an approach I have not seen elsewhere, and my initial trials are very pleasing. He suggests that in Adobe Camera Raw, saturation be reduced to -100 to view a B&W version of the image, and adjusting to achieve the best image based on luminance values. Saturation is restored afterward. This makes perfect sense photographically, and it works! With too many Photoshop books being written by Photoshop gurus with little talent in photography, this is a breath of fresh air!
What disappoints here is that there are so few examples in the book on evaluating images. This is clearly DeWolfe's strong point and more would have been better. Indeed, he shows a number of "images from hell" he uses in his workshops to show case what can be done with his technique, but these are not included with the book, or available on his web site. He also describes a process he calls outlining, but unfortunately there are no explicit details.
In general, I would say that the author has assembled a collection of Photoshop techniques he has learned to use very well, and, of course will work for the reader. Many go back several versions in Photoshop, but are no longer current or best practice.
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